Both films go out on a limb with excesses (although Gibson's excesses were arguably not as faithful to the source as Pasolini was), and I have to say that at least from an objective point of view Pier Paolo Pasolini gets the job done there. As I watched all the way through till the end I got the same feeling as I did watching Mel Gibson's The Passion of the Christ. It's indeed appropriate that it's called the most disturbing and disgusting film ever made, as it well could be. meaning that if a viewer can stay tuned, as I could, through the "Circle of Sh*t" segment, then a viewer can sit through just about anything that's on celluloid.
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